After the IWC Knitting Workshop

Double knit, single strand scarf,  knit with Noro Silk Garden--photo taken in backyard

I have completed two scarves using Valentina Devine’s double knit technique which utilizes only one strandof yarn. The scarves before they were blocked were about 4 ½ inches wide by 80 inches long, after I washed them they grew to 89 inches long! I think I made a mistake in rolling the scarves in towels to get the excess water out of them.

The scarves were knit on a #7 knitting needle using Noro brand Silk Garden yarn, which is 45% silk, 45% kid mohair, and 10% wool. Noro Silk Garden is not the softest yarn, but the color changes are great and they made up as nice looking scarves. And of course, it is always nice to finish a project, which is not always the case with me.

Double knit means that there are actually two layers of fabric. The scarf is knit in a circle so the center is hollow, then the knots from the color changes in yarn can be pushed to the center of the scarf to be hidden.



Same scarf with photo taken against stucco wall

The whole scarf consists of four different rows of knitting. The first row you cast on an even number of stitches.

The second row: knit the edge stitch through the back of the knit stitch, *yarn over, knit through the back of the next stitch*, (repeat the yarn over and knit through the back of the next stitch until the last stitch in the row), the last stitch slip the stitch as if you were going to purl it. Turn knitting.

The third row: knit the edge stitch through the back of the stitch,* slip the next stitch as if to purl it, knit the third stitch in a regular manner*, repeat the slipped stitches alternating with the regular knit stitches across the rest of the row including the edge stitch which is a slipped stitch as if it was purled.

Continue knitting as in row 3, changing colors at will. I always knotted at the edge, but that isn’t necessary. If you look at Valentina Devine’s example of double knit edging and cuffs on a black jacket in the last blog, many of the new colors were introduced in the middle of the line. As long as the knot is hidden it doesn’t matter where the color change takes place. Knot yarn, and then knit for a few rows before hiding knot in center of scarf.

When scarf is desired length begin row four binding off. Bind off first and last edge stitches as single stitches, but treat the knit and purl pairs of stitches as one knit stitch in binding off. After binding off the last edge stitch single, cut the yarn leaving a two inch tail and put the tail through the last loop. Hide this knot in the center of the scarf.

Lightly wash and lay out scarf to dry, blocking out to the scarf’s measurements.

IWC - Knitting Workshop - Part 2

Statue on Ft. Lewis Campus, site of IWC - Durango, CO

 Although IWC is called a weavers’ conference it’s all about fiber. The selection of workshops is pretty eclectic. Besides several weaving related workshops, others were on dyeing, spinning, designing, basketry and sewing. The workshop that I took was Free Form Knitting and was taught by Valentina Devine of Los Alomos, New Mexico. IWC’s format of workshops is a person signs up for one workshop for the span of the three days, rather than several shorter workshops. Depth versus variety.

Valentina taught us about four different basic knitting techniques in the three day workshop. She also covered embellishments and the construction of some basic garment types. Her methods utilized both knitting and crocheting stitches and a vast variety of yarns. Valentina was always concerned with color, texture, and basic shapes.

Valentina Devine demonstrating adding clusters of French knots as embellishments

For each of the techniques that Valetina passed on to us, she illustrated the result with numerous examples that she brought with her. It was a treasure chest of yarns and garments—our own “trunk show”.

Valentina was less concerned with gauge; sizing was generally based on the fit of known garments. Her style of garments has a loose, comfortable fit definitely not tailored.


V. Devine's sleeveless long vest - example of a loose fit using blocks of log cabin

The four basic shapes, which determined the technique that we used, were the rectangle/square as in log cabin, round as in swirl, irregular shapes, and strips from a double knit variation.


A previous student's jacket done in log cabin using sock yarn

V. Devine holding an example of Swirl technique done in a top

Valentina on left showing an example of irregular swatches edged in black

Valentina's double knit strip of many colors used as an edging and cuffs of black jacket

Valentina’s philosophy of knitting was very freeing and made a person adventurous combing yarns and colors outside of their normal comfort zone. I’ve included some examples of her designs and then shown what I completed during the workshop. My examples are rather incomplete as I am a slow knitter. But I was also trying to take decent notes and photos as my short term memory is getting shorter as time passes. I found Valentina to be a flash knitter, of course knitting continental style, and having done it for a living for many years with the cliché “time is money”, being a slow knitter wouldn’t get a person a very good paycheck.

My unfinished sample of log cabin or linear shape



My unfinished sample of swirl or round shape



My unfinished sample of an irregular shape



My unfinished sample of single strand double knit using Noro Silk Garden

Intermountain Weavers' Conference - Part 1

The end of July the Intermountain Weavers’ conference (IWC) was held in Durango, Colorado. IWC is a regional conference of western states: Arizona, Colorado, Nevada, New Mexico, and Utah. It meets every two years in the off year that the national conference, Convergence, meets.

The past 4 conferences have been held in Durango at Fort Lewis College on a plateau above the city. It’s a beautiful campus, usually cool temperatures with a terrific backdrop of mountains.


A land formation seen from the highway while driving through New Mexico.

 Driving there through Arizona and New Mexico is like driving through a western movie set, the vistas are vast and unbelievable. One year my roommate and I drove through a “brown” thunderstorm in Monument Valley.


A modernistic Navajo rug ready for sale at a Trading Post



My own Navajo "rug" 5"X 7" woven by Lorraine Mark

We enjoyed the stops at the Indian trading posts throughout the reservation, looking for yarn and weaving tools. Some of the posts had rugs for sale that were beautiful works of art.

AAA puts out a terrific map called “Indian Country” that covers the huge Indian Reservation at the Four Corners Region where Arizona, New Mexico, Utah, and Colorado meet. Besides the roads and highways, Indian Trading Posts are indicated and the normal tourists attractions of parks, monuments, museums, etc. If you’re going to travel in the area, the map is well worth while obtaining.

Blue to Dye For



Kathi stirring the indigo pot to mix the ingredients

 The natural dyeing workshop is an annual meeting in May with the Las Vegas Fiber Arts Guild. Originally they held it up on Mt. Charleston, just outside the city where it was nice and cool. But it was a pain carting everything up there and then setting up and then bringing it all back down the mountain. So for the last several years Nancy has hosted the extravaganza in her front yard. Her set up is unbelieveable and gets better every year. It’s getting to be a burden for her as she nears 80 and requires help from others in the guild to keep it operating, but what a tradition it’s been.

A row of about 10 propane stoves with 2 pots each for dyeing. Two outdoor craft sinks for rinsing and a drying rack. Crock pots have been added for Kool Aid dyeing and this past year they added a tent with indigo dyeing. Plus Nancy serves tacos for lunch, and has tents set up while we wait for the pots to do their thing. People sit around and spin, knit and talk up a storm.

Bev and I were so taken with the indigo dyeing that she is going to try it in her dyeing efforts in Cedar City on Saturday, October 15. Some of the complexity of the indigo dyeing has been taken out with kits. We were able to pick some up on clearance at JoAnne’s and also found some at Dharma’s on the Internet.



Skimming the waste materials off the surface



The yarn has to stay submerged in the solution, not agitated.

Then when it is brought to the surface it is green.

A person quickly lets it drip out as you don’t want oxygen to get into the solution. As oxygen gets to the yarn it oxides the solution on the yarn turning it blue. It’s amazing to watch.

First dip = light blue

If you let the yarn dry a bit then you can redip it to get a darker shade of blue. The blue is the color that was originally used in blue jeans. If you don’t work with plastic gloves it does a great job of dyeing your hands blue too!

Second dip = darker blue

Did We Skip Fall?

Formation in New Mexico on way to Weaving conference

The summer was a busy time with visits with grandchildren, a flight to Wis. for a HS class reunion and catching up with relatives, driving to a weaving conference in Colorado, and working at a pop corn/cotton candy stand at the county fair.

Relatives in southern Wisconsin

  

Relatives in Green Bay area

 

Along the way we (Bev, a weaving friend, and I) participated in a natural dyeing workshop in Las Vegas in May, a tri-loom workshop with our own Cedar City weaving group in July, and a felting program this past week in October.  In Sept. I was back in Las Vegas for a rep weave workshop with Joanne Tallarovic of Flagstaff, AZ.



The fall was warm with above normal temps, and Bob’s garden has done well with swiss chard, kohl rabi, onions, green beans, carrots, and finally tomatoes.  Then this week it abruptly came to an end with snow. Flurries in our backyard and 17 inches in the mountains east of here at Cedar Breaks National Monument.  So the mountains now have their white caps on, and the sheep are back at the University Farm two blocks down the street.